"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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Two strangers, both folk musicians stranded in California, take a road trip to New York in the days after 9/11.

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东汉末年，朝政腐败、民不聊生。太平道首领张角组织领导了"黄巾起义"。汉家王朝危在旦夕。涿县刘备、关羽、张飞为恢复汉室杜稷，在楼园结为兄弟，广招贤士，组织队伍。心怀野心的西凉刺史董卓乘机作乱，率大军进京，将吕布收为义子，权倾朝野，废少帝，立陈留王为献帝，从此，挟天子以令诸侯。曹操行刺董卓未遂，逃出京城，会合各路诸侯兴兵讨董，刘备参与是役，桃园三兄弟在虎牢关三战吕布。司徒王允欣赏品布骁勇、善战，即巧施美人计，利用貂婵离间董卓和吕布父子间的关系，致使吕布将董卓刺死在凤仪亭前。董卓死后，吕布和王允争权，到处树敌，最终王允被董卓部下李傕、郭汜杀死在宫中；而吕布则被自己的亲信吊死于白门楼。曹操消灭董卓、吕布后，自封为相，左右朝纲。献帝写血诏由董承交与刘备，要是备肃奸除暴，重整汉室，以正朝纲。刘备虽深受曹操重用，但对曹操的阴险、多疑、善变心存顾忌，亦想脱身京城，即... (展开全部) 　　东汉末年，朝政腐败、民不聊生。太平道首领张角组织领导了"黄巾起义"。汉家王朝危在旦夕。涿县刘备、关羽、张飞为恢复汉室杜稷，在楼园结为兄弟，广招贤士，组织队伍。心怀野心的西凉刺史董卓乘机作乱，率大军进京，将吕布收为义子，权倾朝野，废少帝，立陈留王为献帝，从此，挟天子以令诸侯。曹操行刺董卓未遂，逃出京城，会合各路诸侯兴兵讨董，刘备参与是役，桃园三兄弟在虎牢关三战吕布。司徒王允欣赏品布骁勇、善战，即巧施美人计，利用貂婵离间董卓和吕布父子间的关系，致使吕布将董卓刺死在凤仪亭前。董卓死后，吕布和王允争权，到处树敌，最终王允被董卓部下李傕、郭汜杀死在宫中；而吕布则被自己的亲信吊死于白门楼。曹操消灭董卓、吕布后，自封为相，左右朝纲。献帝写血诏由董承交与刘备，要是备肃奸除暴，重整汉室，以正朝纲。刘备虽深受曹操重用，但对曹操的阴险、多疑、善变心存顾忌，亦想脱身京城，即向曹操请兵倒徐州捉拿袁绍。刘备刚刚出发，曹操突然反悔，密令徐州车胄截杀刘备，事发车胄被关羽所杀。曹操大怒，率20万大军进军徐州。刘备败北，投奔了袁绍。曹操兵伐下邳，关羽被困土山。为保护刘备家眷和确保以后的建国大计，关羽违心地投顺于曹操麾下。关羽在白马坡前斩颜良诛文醜，为曹营立下了战功。曹操奏知献帝，封关羽为汉寿亭侯。关羽得知刘备在袁绍处，立即持印封金，保护二位皇嫂离开许昌，过五关斩六将。最后，未免园三兄弟终于在古城相会，共谋建立蜀国之大计。